Spanish comedy.

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In the late 1940s, a girl runs away from the boarding school where her father has placed her to go and live with her mother, and after spending some time with her, she discovers why her parents separated.

It is the final decade of the 18th century in New Spain. We are in Mexico City, inhabited by local adventurers, native inhabitants and Europeans of every kind. In these surroundings, our characters, Jerónimo Marani, court choreographer, Giovanni, his mestizo son, and Victoria, the daughter of the most prominent family in the city, who is in love with Giovanni, live a life of love and aversion, court intrigue and popular grievances, Viceregal dogmas and dreams of freedom. Mexico´s war of independence is only a few years in the future.

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The relationship between two sisters is tested after a man gets in their ways.

Two jerks. Two mobs. A destiny. The story will focus on a building manager (José) and a neighbor (Juan), who accidentally discover the body of their neighbor. Although this amazes them, they never imagined that it would lead them to a ridiculous and funny endless chase for the conjecture of a mythical Italo-Asian legend, the legend of the Lukong, which has crossed both the European and Asian continents to solve, in one way or another, in Argentina.

Spanish politicians. They all disappear to participate in ‘The Camelar Game,’ a competition where they must overcome various challenges if they want to preserve their political lives.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.